While Milly plotted revenge against Pam, Andreas tracked the person who’d sent Pam the bomb. Neither task was easy. Neither made sense.
Pam was rich. She could shower gold into Milly’s lap. Why irritate Pam? Worse, why kill her? As Milly considered how to slay Pam, its fundamental logic escaped her. From the right thing to do, Pam’s death became an idiotic blunder. This without adding the factor of political influence. Pam held the Governor in the palm of her hand. Milly, as Pam’s confidante and partner, could hope for a senior desk in the White House if not a corner office at an agency reining in career bureaucrats. She’d be on the fast track to a six-figure pension with retirement in a few years to the tropics. And Pam knew plenty of those construction workers who Milly liked to hire for nameless, violent purposes related to discipline in the drug underground, psychopaths, experts in human relations that had kept Pam’s largest building projects on schedule. Pam dealt easily with these men. She could turn them against Milly. A war with Pam was irrational, Milly understood, as she planned the kill. Together they were a force to reckon with. At daggers drawn they’d self-destruct. And Pam was Milly’s only potential friend. Pam was motivated by the same forces: a subterranean urge to succeed, the desire for power, the necessity at all costs not to understand why she did things. By making Pam a target, Milly confirmed that her only community was the company of dolls. Reviewing the rows of impassive faces, like the contemplative rosy cheeks of a Church choir, Milly consoled herself. A break with Pam was inevitable. It would come to death in the end. Best to embark at her own pace for the tragedy that is life and love’s necessary terminus. Only her dolls would never leave. They were the faithful. Pam would betray Milly, if not today then tomorrow. Milly wouldn’t and couldn’t trust her.